4,417 Royalty-Free Audio Tracks for "Piano Chords"

German sixth with 6/4 resolution, generated on Sibelius.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

D♭7♯11 chord = G7alt chord.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Dominant thirteenth chord in four-part writing.

Dominant thirteenth: four-voice version.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

Viennese fourth chord.

Major triad on C. Created using Sibelius.

Mozart Fantasia on D minor K397 closing bars

Del av Duvernoys stycke Reiterstück

Ein eigenes Werk des Komponsiten Boris Fernbacher aus Deutschland mit dem Titel Ein junger Vogel lernt das Fliegen" Un travail acharné de compositeur Boris Fernbacher de l'Allemagne, intitulé "Un jeune oiseau apprend à voler"

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Bellman: Venus Minerva

Ja må han leva

Lesson 02, for Piano

Duvernoys stycke Reiterstück

Emotional Piano bytriangelx

First 4 measures of the third movememt of Ludwig van Beethoven's Piano Sonata No. 8 in C minor (Pathétique), Op. 13.

Neapolitan sixth in C minor.

Thirteenth chord CMA13(sharp11).

Generating chord for Michael Torke's Vanada (1984).

Dominant seventh in C in first inversion

Elektra chord: E B Db F Ab.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Secondary chords in Maria Wolowska Szymanowska's Nocturne in B-flat Major, mm.1-5.

Farben chord.

Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).

audio(midi): Flohwalzer (Flea waltz) played on the piano

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

C triad open position.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Eb major triad, MIDI file

Diminished seventh chord to dominant cadence (bo-e7-A7-D).